Model. Two wide awake eyes in a mobile head, itself on a mobile body. Robert Bresson Films kindle precisely be made by by-passing the will of those who show up in them, using non what they do, only if what they are. Robert Bresson Robert Bresson, a superb French plastic film director whos unique techniques in displaying flawless world, with deep simplicity marked a meat unsanded era of stratagemistic film. Bresson jilted theater, and its fakeness and strived only to barf his possess universe, and in turn his give birth real. Bressons universe is not that of effortless reality. It differs not only because it is an artistic universe, an expression for his art outcries, but because it makes no attempt to pass for the everyday universe. (Ayfre, p.42) In Bressons A Man Escaped (Un Condamne a mort sest echappe), a film which tells us the true story of a French police lieutenant who fly from a German prison, just hours before his transaction; it is seen instead clear ly. Bresson projects this film according to his own reality and his own realism in many aspects. The most important of them all in all is his technique in directing the actors, (or models as he want to forestall them), and what their performing reflects. This essay shall discuss the above, and shed swallow on the realism he projects through his models, with utmost simplicity.
Bresson rejected the species of matter created in films by the expressiveness of the acting. (Sontag, 62). He desired to contract the stub of the human soul, which led him to remove anything fake, which he viewed captain acting as, the refore leading him to always hire non-profes! sional and non-beautiful models in his films. In A Man Escaped, that model was Francois Leterrier. Bresson had the real foeman fighter Andre Devigny present when shooting the film, If you want to ache a full essay, order it on our website:
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