The Shadow-Line by Joseph Conrad

The vote counter shows contempt for the man, alone Giles suggests compassion. The vote counter concludes that the man is suffering from some "sort of perplex debauch" which "had reduced him to that unspeakable condition. Captain Giles' benevolence was bumble by a curious air of com repointncy which I disliked" (16).

In short, we have a younger man, the narrator, who regards an cured man, Giles, with distrust because Giles has some empathy for a distraught man. The narrator has no compassion. He thinks he knows all there is to know. He thinks he is strong, and that each sign of weakness is something to be avoided. Giles has learned affluent well-nigh himself, however, to know his own failings, especially good failings, and this allows him to detect a nonher man's suffering, to understand another's weakness and failure. Giles knows a man cannot defy up to his ideal image of himself, while the narrator is about to learn that difficult and humbling lesson. To be a attracter a man must(prenominal) be in command, yes, must be able to make decisions of life and death, yes, for the sea is a mysterious and powerful force. But the turn tailer must in like manner deal with the equally mysterious and powerful force of men's room souls. He must be a leader, but he also must know himself and other men in their depths so to have both compassion and humility: He is only half modality to such a point, and resisting, when he sees the moral anguish of Mr. Burns and th

Lessing describes David and Harriet and their stereotyped, cardboard desires:

Lessing, Doris. The Fifth Child. New York: New York, 1989.

There are a number of major problems with the novel in terms of Lessing's start to affect her lector. Her style is awkward and annoying, as if she were sending a long telegram rather than writing a novel. mayhap that is a result of her interpretation of what comprises a folk-tale. In any case, she fails to give the reader a way or a reason to connect in any meaningful way with the Lovatts. To the contrary, her disdain, if not contempt, for this couple is so strong that it is difficult for the reader to feel any sympathy for them as their dream crumbles about them.

She does not demonstrate any reality whatsoever in their dream of finding love and happiness in the handed-down nuclear family, so we do not feel much(prenominal) loss when the monster-child is born and all hell breaks loose in the family.

inks, "I might have smiled if I had not been mobile with my own sensations. . . . I was already the man in command. My sensations could not be like those of any other man on board. In that community I stood, like a nance in his country, in a class all by myself" (62).

What Giles has long known, and what the narrator is about to learn, is that an effective leader must have a good measure of traits other than the magnate to order men around. He must have compassion, wisdom, humility, and patience. The narrator is a man who wants to take action, to make decisions, to actively lead and command. But the lesson he learns comes in the guise of inaction, of waiting, of "delay" (66). The depicted object here, then, is that one must confront oneself, one's demons, one's fears, in a place where it appears that "nothing" is happening, that no action is taking place. Here is where the narrator finally has no choice but to face himself, just as Giles long ago faced himself, and the narrator does not necessarily like what he sees. He is certainly not fi
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