The Home of the Exile

Their new neighbors are clever to pay Walter to keep the Youngers out of Clybourne Park. mamma Lena provides her son with the indemnification coin she has set aside for a house, but Walter is changeable which decision to make. His mother knows something has been eating him up "like a crazy human beings?the past few years I been watching it happen to you" (Hansberry, 1995, p. 56).

What has been happening to Walter is his aimless, drifting and wasting of m maveny the family needs to endure, primarily because of the negative electrical shock of lifetime in a mainstream, white society that refuses to see African Americans as anything other than a color and certainly nothing remnant to equal in scathe of worth or humanity. Mama Lena tries to guide her son. Despite his having wasted the money and everyone needing to pitch together to pay the mortgage, she knows within those you love "?there is always something left wing to love. And if you ain't learned that, you ain't learned nothing," (Hansberry, 1995, p. 129).

Walter is being eaten up by racism. In this ferment, we see the tragic impact of racism on the governance of character and shaping of lives. When Walter and his mother finally come to dissolver of their conflict, when he decides to inform the neighbors they will definitely be contemptible into the neighborhood, he has finally achieved dignity and respect on his own terms and in his own indemnify, like a man not just a man of color. In essence, the impact of racism temporarily made Walter exile himself from

his own feelings and family. The more(prenominal) than racism he encountered; the more he attempted to distance himself from his heritage and who he was as a human being. Initially though, Walter only views Mama's efforts as disturbance and meddling in his life. He tells her she has been "?running our lives like you loss to. It was you money and you did what you wanted with it?

So you butchered up a ambition of mine - you - who always talking ?bout your children's dreams" (Hansberry, 1995, p. 79).

Hansberry, L. (1995). A Raisin in The Sun. New York: Vintage.

In conclusion, the Youngers exist in an era when look sharp and class were tightly intertwined in American society. Likewise, a play by African Americans some the harsh realities of African Americans living in a racist and oppressive white nuance forced Hansberry to attempt to fashion the Youngers' struggle in terms of the struggle of all poor, working-class families. In these mainstream terms, the play was more readily accepted by whites and Hansberry (1995, p. 281) even provides us with one description of Mama Younger who, in her large sun-hat, "?looks just like Mrs. Miniver." As such, we can see that this is as oftentimes a story of good working class tribe who are earnestly and honestly trying to gain a piece of the American Dream in the form of a home, as much as it is a story about how due to race some groups are presented with additional burdens and obstacles to that right of all Americans.

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